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Varieties of the story are known transversely over Europe. In France, for case, Zémire and Azor is an operatic variation of the story, made by Marmontel and shaped by Grétry in 1771, which had tremendous accomplishment well into the nineteenth century; it relies on upon the second type of the story. Love pour , by Nivelle de la Chaussée, is a 1742 play in perspective of Gabrielle-Suzanne Barbot de Villeneuve’s variation. According to examiners at schools in Durham and Lisbon, the story started around 4,000 years earlier.

Varieties of the story are known transversely over Europe. In France, for case, Zémire and Azor is an operatic variation of the story, made by Marmontel and shaped by Grétry in 1771, which had tremendous accomplishment well into the nineteenth century;[5] it relies on upon the second type of the story. Love pour (Love for love), by Nivelle de la Chaussée, is a 1742 play in perspective of Gabrielle-Suzanne Barbot de Villeneuve’s variation. According to examiners at schools in Durham and Lisbon, the story started around 4,000 years earlier.



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